2019 Event

Join us for a ONE NIGHT ONLY double feature (with shorts!):

Reimagining the Border/Reclaiming Sanctuary

2019 LxFF event flyer

FRIDAY, FEBRUARY 22, 2019

4:30pm Session
Through the Repellent Fence
Panel discussion 

7:30pm Session
The Wall
Dangerous Times | Rebellious Responses
Walking for Ded
Q&A with filmmakers

MSU RCAH Theater (Snyder-Phillips Hall)
For directions, please click HERE

Light refreshments will be provided from 6:30-7:30pm between sessions. Dining options available at The Gallery in Snyder-Phillips Hall.

FREE & OPEN TO THE PUBLIC

The U.S.-México border and the sanctuary movement in Michigan. Two topics inextricably linked by immigration policies, state violence and imperialism, but also through attempts to resist xenophobia, contest coercion and transform the way we think about land, migration and human dignity. Two topics with shared themes: ONE NIGHT ONLY!

In the wake of the historic government shutdown, LxFF is proud to bring two highly acclaimed feature documentaries on the U.S.-México border to MSU for their mid-Michigan premieres: Through the Repellent Fence (MoMA/SXSW) and The Wall (2018 Pulitzer Prize).

We’re also happy to present two short films on the sanctuary movement in Michigan by emerging filmmakers: Dangerous Times|Rebellious Responses and Walking for Ded.

Scroll down for the trailers and more details on the films – and see you there!

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Through The Repellent Fence

Friday, Feb. 22, 2019               4:30 P.M.              MSU RCAH Theater (Snyder-Phillips Hall)

For directions, please click HERE

Genre: Documentary

A panel discussion with Miguel Cabañas (Spanish), Delia Fernández (History) and Carla Acevedo-Yates (MSU Broad Museum) will follow the screening.

ABOUT THE FILM

Sam Wainwright Douglas/2017/74 min
https://fencefilm.wixsite.com/fencefilm

Through The Repellent Fence follows art collective Postcommodity as they strive to construct Repellent Fence, a two-mile long outdoor artwork that straddled the U.S.-Mexico border. Postcommodity consists of three Native American artists who “put land art in a tribal context.” Aided by the communities on both sides of the border in 2015 the artists installed a series 28 huge inflatable spheres emblazoned with an insignia known as the “open eye” that has existed in Indigenous cultures from South America to Canada for thousands of years. The spheres were evenly spaced apart and extended north and south of the border a mile in each direction. “It’s a metaphorical suture stitching together cultures that have inhabited these lands long before borders were drawn.”

The film provides an intimate glimpse into the arduous process behind creating an ambitious artwork that will give voice to the shared history and enduring culture of Indigenous societies that have made the region their home for thousands of years before a border ever divided it. Interwoven with this thread are lush scenes using stunning cinematography to absorb viewers into striking land art environments that have preceded Post Commodity’s work. Scenes with other artists and intellectuals working in the land art realm provide context and insight as well. These include scenes with Chris Taylor of Texas Tech University’s Land Arts of the American West program, writer Lucy Lippard and Matt Coolidge of the Center for Land Use Interpretation.

Sam Wainwright Douglas is an editor and director, known for Through the Repellent Fence (2017), No No: A Dockumentary (2014) and Citizen Architect: Samuel Mockbee and the Spirit of the Rural Studio (2010).

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The Wall

Friday, Feb. 22, 2019           7:30 P.M.         MSU RCAH Theater (Snyder-Phillips Hall)

For directions, please click HERE

Genre: Documentary

A Q&A with filmmakers Brian Kauffman and Kathy Kieliszewski (The Wall) and Alicia Díaz (Dangerous Times | Rebellious Responses) hosted by Oscar Castañeda (Action of Greater Lansing) will follow the screening.

ABOUT THE FILM

Brian Kaufman/2018/80 min
https://borderwallmovie.usatoday.com

A documentary from the Arizona Republic and USA TODAY NETWORK. Part of the 2018 Pulitzer Prize-winning reporting package, The Wall: Untold Stories, Unintended Consequences

With rare footage from some of the most remote reaches of the U.S., The Wall explores the impact, reveals unknown issues and details the unintended consequences of President Trump’s $20 billion promise to build a wall from the Gulf to the Pacific.

Watch as journalists travel the length of the U.S.-Mexico border – by land and air – documenting the possible effects of a wall on security, life, commerce, the environment, smuggling and property rights.

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PRECEDED BY

DTRR Still Image

Dangerous Times | Rebellious Responses (Alicia Díaz & Consuela López/2018/13 min) is a documentary film in progress that traces the 1980’s rise of the Sanctuary Movement in Detroit from the perspective of Latinx exiles and activists and the movement’s legacy within present-day resistance by area Latinx, African Diaspora and Middle Eastern migration activists. Co-Executive Producers Alicia Díaz (Wayne State University Instructor in Latinx Studies) and Consuela López (Human Trafficking-Performing Arts Activist) collectively facilitate de-colonized learning and creative spaces and are dedicated to crafting narratives where Latinidad is central to the story of America.

DED_07.png

Walking For Ded (Scott Boehm & Peter Johnston/2018/8 min) is a short documentary on the 90-mile “Pilgrimage to Keep Families Together” from Detroit to Lansing organized by Michigan United and allied immigrant communities in May 2018 to seek justice and a stay of deportation for Ded Rranxburgai, who who took sanctuary in Detroit’s Central United Methodist Church along with his Albanian American family in January 2018. Scott Boehm (Writer, Director & Producer) is Assistant Professor of Spanish & Global Studies at MSU and Peter Johnston (Cinematographer, Editor & Producer) is the Digital Media/Film Production Manager in the Film Studies Program at MSU. This is their second film together, following What Happens To A Dream Deferred: A Short Film About DACA (2018).